Archive for the ‘Process’ Category

What’s up with that? My “chop”

Monday, December 22nd, 2008
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You may have noticed (or maybe not!) a watermark on many of my pieces of work. And maybe (again, maybe not) you’ve wondered what the heck it is.

A few months ago, I took a weekend workshop on printmaking using a hand drill on woodblocks to create imagery. The instructor, master printmaker Steve Prince, showed us a lot of his work, and the pieces included a stamp of something he called a “chop”: essentially, a graphic signature. This got me thinking and I decided to work up my own and apply it as a watermark for digital versions of my work. (more…)

Not with the stars—dance with the shoes

Thursday, July 10th, 2008

Let’s dance the night electric.
Let’s dance the night electric.


Over the years as I have taken various art workshops, I have learned how to short-circuit my internal editor. You know, that peckish creature inside your head that shoots down any ideas you might have for a new piece of work.

My secret? (more…)

Learning to use the symbol sprayer

Friday, June 13th, 2008

First exploration of the Renewal theme
First exploration of the Renewal theme

The final entry
The final entry


J. Jill, a women’s clothing company, each year holds a “Nature of Compassion” contest to design a T-shirt that will be sold to raise money for homeless women. Each year has a different theme. I decided to use the contest to experiment with some of Illustrator’s tools I hadn’t used much: custom brushes and symbol sets and sprayers.

(more…)

Tapping into your life

Thursday, June 5th, 2008

This paper sculpture represents one of the first pieces of art I did while tapping into personal history. It represents feelings of being wounded and vulnerable following a serious knee injury.
This paper sculpture represents one of the first pieces of art I did while tapping into personal history. It represents feelings of being wounded and vulnerable following a serious knee injury.

In the early 1980s, while living in Chicago and making my living as a medical writer, I found myself looking for a different way to spend my vacation time. A coworker told me about Oxbow, a summer art colony run by the Art Institute of Chicago.

I had my doubts.

I’d traced comics as a child to make decorations for our windows, but that was the extent of my “artistic” experience. But I decided to take the plunge, despite the wave of second-guessing that swamped me as I stepped onto a yellow school bus with a group of teenagers to make the trek to Oxbow.

(more…)
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